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~Release by CeeLo Green(see all versions of this release, 10 available)
Annotation
Tracklist
▼ Digital Media 1 | ||||
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# | Title | Artist | Rating | Length |
1 | The Lady Killer Theme (intro) | CeeLo Green | 2 | 1:37 |
2 | Bright Lights Bigger City
| CeeLo Green | 3.5 | 3:38 |
3 | Fuck You
| CeeLo Green | 4.8 | 3:42 |
4 | Wildflower | CeeLo Green | 3 | 4:03 |
5 | Bodies | CeeLo Green | 4 | 3:43 |
6 | Love Gun | CeeLo Green feat. Lauren Bennett | 4 | 3:20 |
7 | Satisfied | CeeLo Green | 4 | 3:26 |
8 | I Want You | CeeLo Green | 3 | 3:36 |
9 | Cry Baby | CeeLo Green | 3.5 | 3:27 |
10 | Fool for You | CeeLo Green feat. Philip Bailey | 4 | 3:40 |
11 | It’s OK
| CeeLo Green | 4.5 | 3:46 |
12 | Old Fashioned | CeeLo Green | 4 | 3:25 |
13 | No One’s Gonna Love You
| CeeLo Green | 4 | 3:29 |
14 | The Lady Killer Theme (outro) | CeeLo Green | 3 | 0:58 |
15 | Everybody Loves You (Baby) | CeeLo Green | 3:32 | |
16 | Scarlet Fever | CeeLo Green | 4:45 | |
17 | Fuck You! (Le Castle Vania remix) | CeeLo Green | 4:36 | |
18 | Fuck You
| CeeLo Green | ?:?? |
Credits
Digital Media 1
guest vocals: | Lauren Bennett (track 6) |
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was directed by: | |
writer: | Ben H. Allen (track 2) Benjamin Bridwell (track 13) Hitesh Ceon (track 11) CeeLo Green (tracks 2–3, 11, 18) Philip Lawrence(urban songwriter/producer, of The Smeezingtons) (tracks 3, 18) Bruno Mars (tracks 3, 18) Tony Reyes(songwriter/producer/multi‐instrumentalist) (track 2) |
publisher: | Relly (track 13) Walker Texas Music Ranger (track 13) |
mash-ups: | Nothing But Nadeko (Everything vs. Bakemonogatari) by Truongasm (track 3) Party on the Floor(Capital FM Summertime Ball Mashup) by DJ Earworm (track 2) |
music video for: | |
music videos: | Fuck You by CeeLo Green (track 3) |
part of: | |
cover recording of: | No One’s Gonna Love You (track 13) |
later versions: | |
recording of: | Bright Lights Bigger City (track 2) It’s OK (track 11) |
referred to in medleys: |
Release
ASIN: | US: B0049VYXUO[info] |
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Release Group
Discogs: | https://www.discogs.com/master/286394[info] |
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lyrics page: | http://lyrics.wikia.com/Cee-Lo:The_Lady_Killer_(2010)[info] |
reviews: | http://www.nme.com/reviews/cee-lo-green/11688[info] http://www.popmatters.com/review/133335-cee-lo-green-the-lady-killer/[info] http://www.theguardian.com/music/2010/nov/07/lady-killer-cee-lo-green-review[info] https://www.bbc.co.uk/music/reviews/jbnv[info] |
Allmusic: | https://www.allmusic.com/album/mw0002052848[info] |
Wikidata: | Q39611[info] |
Album
Relationships
Cee Lo Green The Lady Killer Deluxe Zip Code
Discogs: | https://www.discogs.com/master/286394[info] |
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lyrics page: | http://lyrics.wikia.com/Cee-Lo:The_Lady_Killer_(2010)[info] |
reviews: | http://www.nme.com/reviews/cee-lo-green/11688[info] http://www.popmatters.com/review/133335-cee-lo-green-the-lady-killer/[info] http://www.theguardian.com/music/2010/nov/07/lady-killer-cee-lo-green-review[info] https://www.bbc.co.uk/music/reviews/jbnv[info] |
Allmusic: | https://www.allmusic.com/album/mw0002052848[info] |
Wikidata: | Q39611[info] |
Forget You Cee Lo Green
CritiqueBrainz Reviews
There’s 1 review on CritiqueBrainz. You can also write your own.Most Recent
When you've a voice as powerful as Atlanta-born Thomas Callaway's, it's not going to stay unheard for too long. As Cee-Lo - with or without the Green - Callaway has moulded himself into a chart-topping artist. But success has been far from immediate. Three albums with Goodie Mob in the 90s and a debut solo disc of 2002 were overlooked by British listeners; his second fared better, but was more of a niche concern that a genuine mainstream contender. Fame arrived with Gnarls Barkley, though - Callaway's hook-up with Danger Mouse produced the global smash-hit Crazy in 2006, and ever since his whirlwind of a voice has been tearing up charts worldwide.
With Gnarls Barkley on hold as Danger Mouse works with Broken Bells, the time is perfect for Cee-Lo's solo return. And the start to this record's life could not have been better: lead single Forget You, also here in its foul-mouthed version, topped the British singles chart in the summer. It's a one-dimensional account of a lover straying due to material attachments, suitably cliche-riddled; but Callaway's voice is such a potent device that the song becomes an addictive anthem to middle-finger salutes of all varieties.
Brilliantly, it's nowhere near the best track on The Lady Killer. Please rolls to a jazzy trip hop beat, Callaway's opening exclamation of feeling tired through chasing the dream soaked in the kind of sincerity that the majority of today's pop stars - those produced by the machine, rather than raised on passion - can only dream of. There's so much experience in this voice, so many lost hours, so much unachieved. He's getting there, but the slow process is taking its toll; optimism is always kept in check by the nagging sense that the rug could be pulled from under at any second.
I Want You is another slow jam, which for all its glitter possesses a melancholic centre - Callaway sighs that the 'thrill is gone', so now he must escape to rebuild himself, and his relationships, from the bottom up. Old Fashioned feels just that, but in a wonderful way - a gently swinging affair with sumptuous female backing vocals. Cry Baby sings of desire, but also exposes its protagonist's shortcomings as the root cause of any obstacle between should-be partners. And Fool for You is the closest an artist of today will come to capturing the magic that made Marvin Gaye such a captivating talent. Throughout, a rich seam of Motown and Chess influences runs for all to hear.
With material of a standard to match his fantastic pipes, here Callaway has crafted his finest Cee-Lo long-player yet.