Claude Debussy The Girl With The Flaxen Hair Analysis



  1. Claude Debussy The Girl With The Flaxen Hair Analysis Free
  2. Claude Debussy The Girl With The Flaxen Hair Analysis Techniques

Harmonic Analysis of Debussy's Prelude La fille aux cheveux de lin de Debussy. In this prelude we find examples of harmonic procedures commonly used in Claude Debussy's music like: Non-traditional scales Extended harmony Traditional chords used in non-traditional context Harmonic color Tonal ambiguity. By Claude Debussy / ed. This may well be the perfect introduction to the flavor and style of Debussy's work. Written in G-flat major, the song's tempo is 'very calm and sweetly expressive,' and the best elements of impressionism are revealed in the sweeping phrases, parallelism, and sixth and seventh chords.

La fille aux cheveux de lin (“The Girl with the Flaxen Hair”) is the eighth piece in Book I of Claude Debussy’s solo piano Préludes, written around 1910. The title was inspired by an 1852 poem by Leconte de Lisle.

Flaxen

A single, meandering line pulls us into the ephemeral, dreamlike world this music inhabits. Listen to the way the harmony, built largely on the floating, static pentatonic scale, shifts around this melody in unexpected ways.

Listening to this piece is like entering the world of a portrait by one of the great Impressionist painters. We become captivated with the play of light and shadow, the enigmatic expression on the subject’s face, the blend of innocence, sensuality, and quiet lament. The longer we give the art our attention, the more we see.

Recordings

  • Debussy: Préludes, Krystian Zimerman (1993 live performance) Amazon

Photograph: Jeune fille blonde cousant (1875), Pierre-Auguste Renoir

With

La fille aux cheveux de lin (“The Girl with the Flaxen Hair”) is the eighth piece in Book I of Claude Debussy’s solo piano Préludes, written around 1910. The title was inspired by an 1852 poem by Leconte de Lisle.

A single, meandering line pulls us into the ephemeral, dreamlike world this music inhabits. Listen to the way the harmony, built largely on the floating, static pentatonic scale, shifts around this melody in unexpected ways.

Listening to this piece is like entering the world of a portrait by one of the great Impressionist painters. We become captivated with the play of light and shadow, the enigmatic expression on the subject’s face, the blend of innocence, sensuality, and quiet lament. The longer we give the art our attention, the more we see.

Recordings

Claude Debussy The Girl With The Flaxen Hair Analysis Free

  • Debussy: Préludes, Krystian Zimerman (1993 live performance) Amazon

Claude Debussy The Girl With The Flaxen Hair Analysis Techniques

Photograph: Jeune fille blonde cousant (1875), Pierre-Auguste Renoir